What to say...? or I keep changing things!!!

How does one go on after a silence of two months? A strange thing it is to disappear so abruptly - all I can say by way of some manner of compensation is that there has been A LOT of good work going on for the next Half-Continent story (rather than the much anticipated Harlequin romance set in outback Australia... sorry about that folks, I know you were all longing for it so :) - a synopsis written, various passages penned and muchas muchas muchas research and invention going on.

The upshot right now of this is that in going much deeper into the construction and function and crewing of a ram I have discovered that some of the information about gastrines and rams given in MBT is now revised. I must confess myself a tad perplexed: how am I to proceed?

The normal process is to present your world full-formed upon the world, an unshakable rock of continuity and consistency. Yet here I am tweaking and changing and - more properly - refining ideas all the time, as I have always done.

What concerns us here are gastrines and just how it is that they work. Here are the variations:

OLD IDEA AS PRESENTED IN MBT ~

• dog box & gears
• 5-20 year life span
• jointed leavers everywhere
• put into the vessel individually

NEW IDEA AS I WORK IT THROUGH MORE ~

• muscles work straight to screw; "gearing" is simply the amount of effort gastrines put in and the number of gastrines put to the screw
• 30-50 year life span - I like the idea of them living as long as a generation of vinegars (& notwithstanding death due to sickness or injury or being eaten whole and entire by a ravening kraulschwimmen)
• straight wooden beams and levers
• grown within the vessel (though this one I am not so sure about)

My thoughts are that none of this actually varies things too much, that the previous information can be easily incorporated into the revisions and vice versa - well that is what I hope anyway... Is it appropriate to simply alter things as I go and expect you all to just keep up? Is it actually a good thing for the whole process to be evolving right out there in publicland?

Where I will draw a line is at the total reversal of an idea: what I intend is only the kind of fluctuation that will occur as a I think an idea through all the more deeply, and discover some real-world fact that adds to the whole.

So, there, I am back, fretful as ever - if anyone is still reading :/

Most earnest mae culpa for so long a silence.

Oh, and just to speak into any suspense, my current project is (at this stage anyways) a new story with different characters set in HIR 1602 - the very next year after MBT. Events in MBT have an affect on it, are part of its own motion - because, verily, they are events more particularly in the Half-Continent - but it is its own tale.

Thank you for all your - well, "suggestions" is to little a word for the depth and passion of your thoughts but it will have to do... maybe "advice"? - it helps a whole heck of a lot, even if I seem to be going in some other direction, your thoughts and ideas go with me all the same.

Final inkling: I reckon this will be a stand alone story - no multiple volumes...

OK, this one really is the last thoughts: Rossamünd's story does go on, whether a write about it or not, so let your minds run free with that one; & Europe is indeed too "cool" to let go, but I reckon I need time to ponder just how to tell about her next... & I reckon, though I seem to "avoid" or digress for now, that the Half-Continent might indeed be working up to some kind of dissolution, though do not mistake the movements in one small part of the Sundergird (as seen in MBT) to equal a threat to the greater part of it - just see how small an area we cover in the story so far; I reckon folks in Hamlin or Gottingen could not give two hoots what happens in Brandenbrass (bar the impact on trade, I suppose.. hmmm...)

It must be said though that cataclysmic dissolution is a bit of a genre cliche, too, and though I keep finding myself in my inexperience committing them , I am trying not to do so, and all conquering baddies threatening the existence of everything seems an obvious one to avoid. The original premise of the Half-Continent was that the existing relationships were/are enough to generate stories without then needing to break the idea.

Apart from a certain LoTR, the few genre novels i have read always seemed their best at the start with the original concept of the world, before everything gets broken - it was where I wanted to stay, and I haven't and continue to put all this work into figuring just how the H-c works "now" to bust it all up again. That said, I do think there does need to be some manner of larger and obvious conflict... hmmm.

...& Aphrodine, expect to find "rumsibol" in some form in the next book too, if i may, simply brilliant!

Revelations from the Forum Roleplay

Been reading the roleplay going on over at the Forum and was delighted to find Wolf Blood's out-of-character comment as the story being told unfolded:

"(My mistake has turned into a plot element :D)"

I had to laugh in happy sympathy here, Welcome to my world! I could not help but thinking.

Such accidents are the stuff of writing.

Oh, and yes, I have a new poll - rather pertinent as momentum slowly gathers in me to begin a new text in the new year.

Tropes & ...

Now, in my experience (not necessarily that broad, but there you go), the word "trope" is usually thrown about in a supercilious manner by folks who have themselves never dared to bare their own soul in story to an often unkind world to show how superior they are. In this example, however, over at TV Tropes, the use of the term in so thorough and gleeful a manner has been a revelation, and very helpful to boot! I had no real notion - for example - that MBT was a "world of no grandparents"; this was certainly not intentional but probably reflective of my own real life experience. It is funny how hard it is to fit such things as a granny and/or grandpa into an adventure story - I shall be on the look out for such omissions in future...
That said, neither do I want to include things just because. Either way, thank you TV Tropes, a/ for liking MBT, b/ for helping me see my tale in so succinct a fashion - a great aid to learning this whole writing game.

Speaking of which, I have begun what will , Lord willing, be the next Half-Continent story, and this in turn raises an interesting dilemma:

...Along with the change of the series name in the US from Monster-Blood Tattoo to Tales from the Half-Continent and the (Oh, I surely hope so!) creation of more H-c tales, what on earth do I change the name of this blog to?

Oh, and cheers very much for your comments last post - has anyone got their hands on a copy of Corsers' Hinge (as found in The Legends of Australian Fantasy) yet?

... and happy new financial year.

No Hope But Home

I met Matthew walking through Penn Station last week. He has several tattoos, and shared this one with me:


On his right arm, this traditional nautical star has been embellished with several design elements that personalize the tattoo.

The banner "No Hope but Home" refers to lyrics from a song by a New Jersey band called Scream Hello.

The nautical star is accompanied by a knitting needle and a fountain pen. These two objects refer to his parents. The knitting needle speaks to his mother who is a homemaker and also knits as a hobby. The fountain pen alludes to his father, who is a writer professionally, and also
writes for pleasure.

The nautical star, traditionally worn by sailors to serve as a talisman to find a way home, serves a figurative purpose here, pointing toward, while also emphasizing the hopefulness of home, but also the importance of Matthew's parents in his life.

This cool tattoo was inked by John Reardon at Saved Tattoo, in Brooklyn. Work from Saved has appeared previously on Tattoosday here.

Thanks to Matthew for sharing this amazing tattoo with us here on Tattoosday!

Tattoorism 101: Alli's Ink

Here's another installment of Tattoorism. Alli sent me these photos at the beginning of October, so I appreciate her patience while I've taken the time to post these. I'll let Alli speak for herself:

Hey there,

I'm an avid Tattoosday reader. I, like many others, enjoy the stories that connect us all through one mutual love: tattoos.

I have three tattoos, my first inking done at 16 in Durham, North Carolina. I don't exactly remember the name of the shop, it was really underground and kind of shady. It's the old flag saying "don't tread on me," inspired by a respect for my veteran father and love for American war history. It's on my left foot:


My second tattoo was done at Glenn's Tattoo Service Inc. in Carrboro, North Carolina by the artist Paulie Andrew. A few weeks after my 18th birthday, I went in with a friend and saw this design on the wall. I immediately asked about it, and he told me everyone always compliments it, but no one had gotten it tattooed yet. I sat on it, went back the next day, and got it tattooed on my upper back in dedication of the bond shared between my father, my sister Carly, and myself:


Through our lives, the changes in characters have been so many, but we always stuck together. Elephants are a sign of good luck, too, which is always a plus. :)


[That's the tattoo at the top of the post, as well.]

My last tattoo was inked in Athens, Ohio. Can't remember the name of the parlor right now, but it was my second day of college. Inspired by the possibility of my dreams of becoming a writer coming true, the start of real life, I got one of my favorite quotes tattooed on my right underarm:


"So it goes" is from the works [first introduced in Slaughterhouse-Five] of Kurt Vonnegut, one of my favorite authors of all time. Reading Vonnegut is one of the reasons I came to this school to pursue writing as a career, and it's also how I like to handle what life throws at me. This tattoo was also prompted by the New Buffalo song "Cheer Me Up Thank You," which I think is absolutely amazing. [Here's the video:]




Sorry about the poor focus of the pictures. If it makes the cut for the site, feel free to crop. My camera is under repair right now, so it was just randoms I found!

Thanks so much.

Alli

Thanks, Alli, for sharing your ink here with us at Tattoosday! And thank you for waiting so patiently for me to process your post!

Vaj Shares His Interpretation of the Creative Process

The triptych above (ok, it's not technically a triptych, but I am calling it that as I divided it into three sections) belongs to Vaj (rhymes with Dodge), a filmmaker who I met across the street from Macy*s on 34th Street and 7th Avenue early last week.

This piece was inked about 16 years ago in California by Jeff Rassier, who currently works out of Black Heart Tattoo in San Francisco.

Vaj, who has been in the entertainment business for many years, based his tattoo on the interpretation of the creative process.

The center of the tattoo contains a jar with two brains:

moving up and out of the jar is a an arm, at the end of which is a hand holding paper:


Moving down out of the jar is an arm, at the end of which is a hand holding a pen, which is dripping ink:


The two hands, each with pen and paper, are acting out the creative process, stemming from the two sides of the brain.

Thanks to Vaj for sharing this interpretation in his tattoo with us here on Tattoosday!